(2025) Debussy, Nielsen, Say, Barber - Ensemble Astera id_qobuz:https://www.qobuz.com/ch-fr/album/debussy-nielsen-say-barber-ensemble-astera/lp6a4bp6oh7ba They were joined by Étienne

They were joined by Étienne Galletier

It’s a practice I’m very keen to maintain because it always creates something new on a sound level and expressiveness within the group

auquel il a d'ailleurs succédé comme professeur à la Schola Cantorum de Bâle

it hints at both emanating light and at the overwhelming sense of the unknown

Switzerland has become my second home

(2025) Debussy, Nielsen, Say, Barber - Ensemble Astera id_qobuz:https://www.qobuz.com/ch-fr/album/debussy-nielsen-say-barber-ensemble-astera/lp6a4bp6oh7ba They were joined by ÉtienneRead reviews Claude Debussy (18621918) always had a fondness for four hand and two piano writing, a quality that seems to underlie his orchestral compositions[1]. Perhaps this is precisely what makes his work for two pianos so suitable for transcription: the Petite Suite, with its rich sonorities, was arranged for orchestra by Henri Bsser and for wind quintet by Gordon Davies. Young Claude Debussy was recognised early on for his musical talent and was