流行通信 Ryuko Tsushin vol.472(October 2002) cubism This new edition manifests his

This new edition manifests his sensitivity to settings as well as his approach to objects

小さなアルバムのような判型に、ビデオのタイムラインから抽出された粗い画像、一見淡々と並べられた連続するイメージ、立体的で物質感のあるカバーなど、多層的に重ねられた相反する情報が不思議な詩情を湛えています。

and modularity

Märkli studied at the Swiss Federal Institute of Technology in Zurich

This publication serves as the official report for the exhibition "Kishio Suga: Dialogue

流行通信 Ryuko Tsushin vol.472(October 2002) cubism This new edition manifests his* 472 471200294942004820046 idea 317 (July, 2006) Kuzunari Hattori 100 pages Ryuko Tsushin was a magazine that, despite its primary focus on fashion, exerted a profound influence on the landscape of Japanese graphic design. Over the years, its art direction was helmed by distinguished figures such as Tadanori Yokoo, Ikko Tanaka, and Kazunari Hattori. Starting with its renewal issue, Vol. 471 (September 2002), Kazunari Hattori assumed the role of art