流行通信 Ryuko Tsushin vol.481 (July, 2003) Riko Kinoshita bringing about a heightened curiosity

bringing about a heightened curiosity towards all phenomena by taking a fresh look at reality

This process forms an eclectic narrative around the notions of elevation

Max Creasy’s new photographic work How Things Look

Richard Mosse

along the shores of the world’s largest enclosed body of water

流行通信 Ryuko Tsushin vol.481 (July, 2003) Riko Kinoshita bringing about a heightened curiosity* 481 471200294942004820046 idea 317 (July, 2006) Kuzunari Hattori 100 pages Ryuko Tsushin was a magazine that, despite its primary focus on fashion, exerted a profound influence on the landscape of Japanese graphic design. Over the years, its art direction was helmed by distinguished figures such as Tadanori Yokoo, Ikko Tanaka, and Kazunari Hattori. Starting with its renewal issue, Vol. 471 (September 2002), Kazunari Hattori assumed the role of art